Chris Claremont: Now and Then
Taking up comic books again after more than 15 or so years of being out of it is like moving back to your old neighborhood. While the changes that happened while you were away will continue to shock you for a little bit, there will always be some little out of the way place that haven’t changed, and, being human, you probably will try to latch on to the familiar, bask in the nostalgia, reminisce about a better time.

X-men #1 and an Uncanny X-men year 2006.
How things change but still remain the same.
Good Ole’ Chris
Chris Claremont was head honcho for most of the X-books I read when I was younger. Month after month I found myself looking forward to his stories as I mooched off of my friend’s subscription (oh yes I had an underprivileged life). I still remember my favorite X-men arcs:
![]() 1. Mutant Massacre - I loved this arc most of all. This was probably the time I was seriously getting into reading the X-men. I remember that my first ever X-book (and this one I owned) was the one with a Wolverine Rick Leonardi cover, the one where he fought Sabretooth off a cliff and Colossus was psycho-somatically paralyzed after he killed Riptide. Even then, I loved the fact that characters were getting killed left and right (I admit, these were 3rd and 4th stringers and Morlocks to boot but then again, at that age, they were all the same to me) and that the atmosphere was that of desperation. In this arc, I was also introduced to the power of one of my favorite X-badguy group, the Marauders. Scalphunter, who could fashion various weapons from the gadgets he puts on his body. Harpoon, an Eskimo who can change the harpoons he hurls into energy. Vertigo, with a power that is as obvious as her name. Riptide, the spinning badguy who hurls ninja stars (back when ninja stars were still cool. Scrambler, the suit-wearing, mutant-power scrambling member that every team should have. The tremor causing, Arclight. Ah such classic baddies for a simpler time. ![]() 2. Fall of the Mutants – I followed all of the “Fall of the Mutants” non-crossovers (X-men, X-factor, New Mutants) but enjoyed the X-men version the most. Right out of the Mutant Massacre crisis, the X-men had to deal with THE ADVERSARY (okay… I admit, it sounds stupid now). Saving grace was the prominent role of my favorite X-man, Longshot, in the solution against Adversary. Good thing he had hollow bones (okay… the solution was also stupid). ![]() 3. Reavers Saga – X-men in the outback with an aborigine door-to-door service guy, what more could you want. I think the villainous Reavers were great badguys were perfect. Pretty boy, Bonebreaker, Skullbuster, Cole, Reese, and Macon, and Lady Deathstrike. While their “powers” extended to just a little more than being cyborgs (there was very little distinction), I thought Claremont pulled off some good, old-school characterization. Motivation, on the other hand, was forgettable. ![]() 4. Blue Team: Asteroid M – Ohhhhh… Jim Lee back when Jim Lee was fashionable. Taking off from the Inferno saga, the new X-men team reunites with the old X-men team. This was an exciting time for me. I mean… Cyclops, Rogue, Psylocke, Gambit, Wolverine, and Beast. And what better way to start a new X-men series than to pit them against their archenemy, Magneto (better yet bring in a Magneto team called, The Acolytes). ![]() 5. Blue Team: Omega Red – Two words that make this one of my favorites: Omega Red and Maverick (wait… make that three words… or four if you count the conjunction). Looking past the Carbonadium Synthesizer nonsense, this, to me, was a solid story that successfully introduced a kick-ass character. |
Chris in this brave new world
A lot has changed in 15 years. Even the face of comic books have changed – literally. While comic books of my younger years focused on the cover art to feature the talents of the visual artists, the comic books of today prominently displays the entire creative team with the writer top-billed. This suggests that the reader of today puts more importance in the story itself rather than the art.
I, for one, would gladly buy anything with the Peter David or Neil Gaiman stamp on it. Recently, I’ve also acquired a taste for writers such as Millar, Johns, and Vaughan. Chris Claremont’s name, on the other hand, continues to grace titles like The Uncanny X-men and New Excalibur.
For most of the comic book enthusiasts I know, though, Claremont’s writing has much to be desired. It’s as if, sadly, he has fallen from grace. While opinions vary from “he should have quit while he was ahead” to “let him be, his build-up has always spanned multiple arcs”, I can’t help but feel that there is something wrong, more precisely, something lost.
Let’s take a look at his current titles:
![]() 1. The Uncanny X-men – The arc that just finished involved Rachel Grey (formerly Summers) exacting revenge on the Shi’ar death squad that wiped out her entire genetic line and took away the drool-conducive Jean Grey from the fanboys of the world. While I am of the minority that is not complaining about the final dying of the Phoenix (a plot line that has been rehashed one too many times), I think Claremont failed in capitalizing on a goldmine of possibilities. Instead, he played it safe by playing the “Rachel Grey is a good girl after all” card with very little in the way of angst, motivation, or characterization. ![]() 2. New Excalibur – I must admit, I had high hopes for this title. It was one of the first ones I put on my pull-list after I decided to seriously get back into collecting comic books. I got myself all the back issues and made sure that I was getting 1st printing books as I anticipated that, once years go by and the story picks up, these will be of some value. Sadly, the first arc was totally disappointing with the New Excalibur (which to me has a promising team composition) dukes it out with Dark X-men and some Warwolves – a good premise if you think about it, but one that did absolutely nothing for me. Even the turned-a-new-leaf Juggernaut was not able to save the book for me (Incidentally, I don’t remember Juggy being as dumb as he is portrayed in this title). |
So what went wrong? How could such a distinguished writer as Chris Claremont lose track of what makes comic books work?
My theory is that he hasn’t. His writing style and his stories are as intricate and slow-burning as they were 15 years back. Chris still functions in the subdued taken-for-granted vespers of the late 80’s. The superness in super-hero books simply have taken a back seat, so has big, building-crushing team battles, two realms that Mr. Claremont has been known to be comfortable in.
The problem is, the tastes of the reader HAVE CHANGED. We look to more effective stories now with, and it may be a tall order to expect this from superhero books, as much emotional realism as we can get. There is one thing that, I feel, sorely lacks in Chris’ books… that is a healthy dose of Humanity.













































